

Annigoni painted the portrait at about the same time (1954-55) as the one he did of the Queen (centre), which in my view is the best ever produced during her reign, and which was used extensively on stamps and banknotes of countries where she is head of state, or which are the remnants of the empire.
I have a print of the Queen's portrait, signed by Annigoni which I like for its stark simplicity, compared to the glorious and romantic colours of the oil, which evokes the hopes and aspirations of the British people for their young monarch, (in her twenties), at the beginning of her reign, the new "Elizabethan Age", recovering from the debilitation of the war which had virtually bankrupted the country and saw the divestment of the empire.