Dancing the Night Away

Ah, if that were only me! On Saturday, I attended the Christmas Gala at Dancesport, the dance studio that I go to here in New York. Because of my work schedule, I wasn't able to attend the Halloween Party at the studio, and I really didn't want to miss this event, so I made sure to leave the night free and I'm glad that I did.

It also gave me an excuse to wear the pretty party dress that I bought to wear when Fun Guy invited me to a New Year's Eve party last year, before he dumped me the day after Christmas. Correction, stopped calling me which is the same as dumping me as far as I'm concerned.

The dress was a BCBG Max Azria that I found on sale at Lord & Taylor. It's black, sleeveless, made of jersey with two trailing chiffon scarves that fall from the waist like a train. I wore silver evening sandals and carried this cute black purse that I bought for a friends wedding and never used because I forgot it at home (I ended up carrying my make-up case as a purse instead).

They served hors d'ouevres, and champagne which unfortunately was flat. Of course, that didn't stop me from drinking it. I met a lot of of lovely people that I hadn't spoken to before from my dance classes, and I actually got to dance, although not as much as I would have liked. Part of the problem is that I haven't been able to go to the practice parties so everyone was dancing with people that they knew.

There were two rooms for dancing, the one in the front was playing tango music and the one in the back salsa. The salsa room had a live band which was great and it was fantastic to watch people dancing particularly those who seem to have been dancing salsa since they were in utero. The way they moved was fantastic. It made me really want to step up my salsa classes. Plus they also played songs that you could cha-cha and merengue too. Since no one was asking me to dance, I just danced a little by myself, since the music was too good to waste. When I did get asked to dance, it was nice to know that I could follow a partner that I didn't know, and not just the people I dance with in class. That was something that always concerned me. Would I know what to do? Would I be able to follow someone's lead? I amazed myself frankly. Now I just want to go dancing all the time.

The instructors also performed a little show that was amazing. My International Latin teacher, Anya was phenomenal, but then I knew that. She was on the Dancing with the Stars tour last year. But now she's added salsa to her repetoire, which she's only been dancing a year, and she was fantastic. And the tango instructors, unbelievable. I love to watch tango, but I can't imagine dancing it if you don't have a steady partner. It was also hysterical to watch one of my other teachers, Toby, attempt to do hip-hop. Not really his style!

I talked a bit with some of the women from my salsa class and we all agreed that if we won the lottery we would be in dance class all the time. I love swing dancing and I would love to try fox-trot and quick-step but I don't have the time or the money right now. Dancing is an expensive hobby, even more expensive than my other hobby, drinking. When you factor in the cost of private lessons, which you really need to take if you're going to improve, you start to go crazy. As it is, I'm on the frequent dancer package, which means I can take as many classes as I want a week, but it's more expensive than going to New York Sports. But more fun, than running on a treadmill anyday.

I stayed until about one o'clock in the morning and then it was time for this Cinderella to go bed before she turned into a pumpkin.

Thanks for reading,

EKM

Are you ready to Rumba?

Anyone who has been reading this blog for awhile knows how much I love "Dancing with the Stars." So much so that I finally got up off of my fat ass and started taking ballroom dance classes in January. Right now, I take Jive, Hustle, Salsa, and my favorite dance, the Rumba.

Why do I like this dance in particular so much? Besides getting to dance to really groovy music (including a very sexy version of California Dreamin by Jose Feliciano), the dance is just sexy. According to Wikipedia, the dance is the slowest and most erotic and sensual of all the ballroom dances. It tells the story of a man and a woman in love, or more aptly, lust. The man persues the woman, flirting with her, and she flirts back, but ultimately she rejects him and casts him away.

Sounds cool, no?

I decided to do a little research to learne the origins of the dance that we now know as Rumba. The word Rumba is a really a generic term, covering a variety of names (i.e., Son, Danzon, Guagira, Guaracha, Naningo), for a type of West Indian music or dancing. The exact meaning varies from island to island.

There are two sources of the dances: one is Spanish and the other African. Although the main growth was in Cuba, there were similar dance developments which took place in other Caribbean islands and in Latin America generally.

Like a lot of other dances, the "rumba influence" arrived in the 16th century with the black slaves who were imported from Africa. Their native Rumba folk dance is essentially a sex pantomime danced extremely fast with exaggerated hip movements and with a sensually aggressive attitude on the part of the man and a defensive attitude on the part of the woman. Music is played with a staccato beat in rythm with the expressive movements of the dancers. Other instruments include the maracas, the claves, the marimbola, and the drums.

During the second world war, a dance called the "Son" was a popular dance in Cuba. It was a modified slower and more refined version of the Rumba. Still even slower is something called "Danzon", which was the dance of the very wealthy in Cuban society. Very small steps are taken in this dance, with the woman producing a very subtle tilting of her hips by alternately bending and straightening her knees.

Our American Rumba is a modified version of the "Son". The first attempt to introduce the rumba here in the United States was by Lew Quinn and Joan Sawyer in 1913. Ten years later band leader Emil Coleman imported some rumba musicians and a pair of rumba dancers to New York. Then in 1925 Benito Collada opened the Club El Chico in Greenwich Village and found that New Yorkers did not know what the heck the Rumba was all about.

There was beginning to be a real interest in Latin music which began during the late 1920's. Xavier Cugat (former husband of Charo) formed an orchestra that specialized in Latin American music. He opened at the Coconut Grove in Los Angeles and appeared in early sound movies such as "In Gay Madrid". Later, Cugat played at the Waldorf Astoria Hotel in New York. By the end of the decade he was recognized as having the outstanding Latin orchestra of the day.

In 1935, the actor George Raft took a break from playing his usual gangster parts and played a role closer to who he really was in New York, the part of a suave dancer in the movie "Rumba", a musical in which the hero finally won the heiress (Carol Lombard) through the mutual love of dancing. I haven't seen it but the description makes it seem incredibly melodramatic with him dying at the end during their dance (apparently his character has a bad ticker!).

In Europe, Latin American dancing owed much to the enthusiasm and interpretive ability of a man by the name of Monsieur Pierre . During the 1930's with his partner, Doris Lavelle, he demonstrated and popularized Latin American dancing in London. They introduced the true "Cuban Rumba" which was finally established as the official recognized version in 1955.

Right now, I'm taking Bronze level classes. Which means that if I were to compete, this would be the medal level that I would be in. According to the International syllabus, here are some of things that I should be learning:

Bronze (thanks to Dance Sport UK for the steps)

Alemana (spot turn)
Basic movement
Closed hip twist
Cuban rocks
Cucarachas (learned, has nothing to do with cockroaches)
Fan (just learned)
Hand to hand
Hockey stick (have no idea)
Natural opening out movement
Natural top
New Yorker (learned)
Progressive walks
Shoulder to shoulder (just learned)
Side step
Spot turns (learned)

I'm not sure if I'll ever be good enough or up to competing, but I'm certainly having more fun learning than I've had in awhile. Of course, I leave each class feeling as if I'm in immediate danger of needing a hip replacement! I've also begun to watch the competition on "Dancing with the Stars" much more closely since I know most of the dances now.

I admire the celebrities who do this show even more now. Not only is it physically demanding, but most of them are performing steps that only competitors who are in the Silver and Gold class perform. And they have to learn most of these steps in a week. I'm still trying to learn fan after two classes!

Thanks for reading,

EKM